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Works on Paper from a Distinguished Private Collection

Drawings from the Marron Collection to be copresented by Acquavella Galleries, Gagosian, and Pace Gallery at Pace’s space in East Hampton

August 12-20, 2020

Jasper Johns,  Two Paintings, 2006

Jasper Johns

Two Paintings, 2006

Pastel and graphite pencil on paper

22-13/16 x 31-1/8 inches (57.9 x 79.1 cm)

© 2020 Jasper Johns / Licensed by VAGA at Artists Rights Society (ARS), New York

Courtesy the Donald B. Marron Family Collection, Acquavella Galleries, Gagosian, and Pace Gallery

Brice Marden, "Butterfly Wings,"2005

Brice Marden

Butterfly Wings, 2005

Ink on paper

11 × 15 inches (27.9 × 38.1 cm)

© 2020 Artists Rights Society (ARS), New York

Courtesy the Donald B. Marron Family Collection, Acquavella Galleries, Gagosian, and Pace Gallery

Ed Ruscha,  Red Yellow Scream, 1964

Ed Ruscha

Red Yellow Scream, 1964

Tempera and pencil on paper

14-3/8 x 10-3/4 inches (36.5 x 27.3 cm)

© Ed Ruscha

Courtesy the Donald B. Marron Family Collection, Acquavella Galleries, Gagosian, and Pace Gallery

Raoul Dufy

Raoul Dufy

Bed of Roses, 1932

Watercolor on paper

20 x 23-3/4 inches (50.8 x 60.3 cm)

© 2020 Artists Rights Society (ARS), New York / ADAGP, Paris

Paul Thek, While there is time, let's go out and feel everything, 1988

Paul Thek

While there is time, let's go out and feel everything, 1988

Acrylic on newspaper

22-1/4 x 27-3/8 inches (56.5 x 69.5 cm)

© Estate of George Paul Thek

Courtesy the Donald B. Marron Family Collection, Acquavella Galleries, Gagosian, and Pace Gallery

William Kentridge, Drawing from "Preparing the Flute" (Temple), 2005

William Kentridge

Drawing from "Preparing the Flute" (Temple), 2005

Charcoal and pastel on paper

47-1/2 x 63 inches (120.7 x 160 cm)

© 2020 Artists Rights Society (ARS), New York

Courtesy the Donald B. Marron Family Collection, Acquavella Galleries, Gagosian, and Pace Gallery

Fernand Léger,  La Roue (Projet d'affiche pur La Roue D'Abel Gance), 1920

Fernand Léger

La Roue (Projet d'affiche pur La Roue D'Abel Gance), 1920

Watercolor on paper

16-3/4 x 12-1/8 inches (42.5 x 30.8 cm)

© 2020 Artists Rights Society (ARS), New York / ADAGP, Paris

Courtesy the Donald B. Marron Family Collection, Acquavella Galleries, Gagosian, and Pace Gallery

Damien Hirst, Leviathan, 2006

Damien Hirst

Leviathan, 2006

Pencil on paper

33 x 46-7/8 inches (83.8 x 119.1 cm)

© Damien Hirst and Science Ltd. All rights reserved / DACS, London / ARS, NY 2020

Courtesy the Donald B. Marron Family Collection, Acquavella Galleries, Gagosian, and Pace Gallery

Mamma Andersson, Landskap V/Landscape V, 2007

Karin Mamma Andersson

Landskap V/Landscape V, 2007

Mixed media on paper

16 × 22 inches (40.6 × 55.9 cm)

© 2020 Artists Rights Society (ARS), New York

Courtesy the Donald B. Marron Family Collection, Acquavella Galleries, Gagosian, and Pace Gallery

Press Release

Works on Paper from a Distinguished Private Collection

Drawings from the Marron Collection to be copresented by Acquavella Galleries, Gagosian, and Pace Gallery at Pace’s space in East Hampton

 

August 12–20, 2020

Pace Gallery, 68 Park Place, East Hampton, New York

 

Ed Ruscha, Red Yellow Scream, 1964, tempera and pencil on paper, 14 3/8 × 10 3/4 inches (36.5 × 27.3 cm) © Ed Ruscha

 

August 5, 2020

Acquavella Galleries, Gagosian, and Pace Gallery are pleased to announce a joint exhibition of works on paper from the esteemed Donald B. Marron Collection, belonging to one of the twentieth and twenty-first century’s most passionate and erudite collectors. The exhibition will be on view August 12–20, 2020, at Pace’s recently opened gallery in East Hampton, New York. In a continuation of the three galleries’ partnership with the Marron family to handle the sale of the private collection of the late Donald B. Marron, this intimate presentation offers a glimpse into the coveted Marron estate of over 300 masterworks acquired over the course of six decades.

The exhibition will feature almost forty works on paper including sketches and studies as well as fully realized paint and pastel pieces. Works on view range from early modern masterpieces by Henri Matisse, Raoul Dufy, and Fernand Léger; to nature studies by Ellsworth Kelly and an exemplary acrylic from Paul Thek’s final series; to contemporary pieces by Mamma Andersson, Leonardo Drew, Damien Hirst, Jasper Johns, and Brice Marden, among others. A focused presentation on Ed Ruscha’s typographic and image-based drawings and a selection of his inventive artist’s books will round out the exhibition. Many of these works are being exhibited publicly for the first time since their acquisition.

Works on paper highlights from the Donald B. Marron Collection include:

Two drawings by Brice Marden, including Butterfly Wings (2005), composed of loops of black ink that swirl across but never escape the perimeter of the sheet. As Marden said in 1979 of his drawings: “think of them as spaces.” In Butterfly Wings, Marden intentionally alters the space of the drawing while permitting vestiges of its making to remain visible to the viewer.

 

Two late works by Jasper Johns, including Two Paintings (2006), which combines now-famous motifs from early in his career—flags, maps, numerals, and cross-hatching—with new ones, including a Harlequin’s costume, a piece of string, and flagstones.

 

Ellsworth Kelly’s Burdock (1969) and Wild Grape (1960) from his plant drawings series, which played a central role in his art. These plant drawings not only informed the artist’s early paintings but are also the basis for his later work. As Kelly wrote of the series in 1969: “They are exact observations of the form of the leaf or flower or fruit seen. Nothing is changed or added: no shading, no surface marking.”

 

Damien Hirst’s drawing Leviathan (2006), wherein the artist reveals his initial plans for a monumental sculpture of the same title, encasing the second largest shark in the world in formaldehyde—its mouth wide as if about to attack.

 

A drawing by William Kentridge developed as a preparatory study for the scenic design and background animation for The Magic Flute, a production of the Mozart opera directed by the artist that premiered at the Theatre Royal de la Monnaie, Brussels, in 2005 and later toured worldwide. In preparation for directing and codesigning the opera, Kentridge created two bodies of work, Learning the Flute and Preparing the Flute, from which he developed a central metaphor of darkness and light, as expressed in the motif of the stage as camera.

 

Paul Thek’s rare acrylic-on-newspaper drawing While there is time, let’s go out and feel everything (1988)—one of the last works the artist made before his death from AIDS-related complications at the age of fifty-five. In this atmospheric abstraction that evokes the early seascapes and “puddle paintings” that Thek made on the Italian island of Ponza during the late 1960s and early 1970s, the artist meditates on his own mortality, yet does so in a characteristically whimsical fashion.

 

A recent interior scene and a landscape watercolor by Swedish artist Mamma Andersson, whose work embodies a new genre of painting that recalls late nineteenth-century romanticism while also embracing contemporary interests in its combination of textured brushstrokes, loose washes, stark graphic lines, and evocative colors.

 

A number of drawings by the iconic California-based artist Ed Ruscha, including Honk (1964), among Ruscha’s first language-based artworks, as well as several other compositions featuring single words that dominated the artist’s work throughout the 1960s and into the early 1970s, such as Red Yellow Scream (1964), and Holloween (1977). The collection also features several of Ruscha’s groundbreaking artist’s books, which turned away from the craftsmanship and luxury status that typified the livre d’artiste to focus on the artistic concept, opening the genre to the possibilities of mass-production and distribution. Notable artist books by Ruscha include Twentysix Gasoline Stations (1963) and Some Los Angeles Apartments (1965), among others.

 

Works on Paper from a Distinguished Private Collection prefaces a joint exhibition in New York City in 2021 organized by the three galleries, which will showcase the breadth of the Donald B. Marron Collection and pay homage to Don Marron’s (1934–2019) legacy, including works from the family collection as well as loans from institutions. Marron enjoyed long personal relationships with Bill Acquavella, Larry Gagosian, and Arne Glimcher, who each contributed to shaping this significant collection over the course of several decades. The collaboration between the three galleries is the first of its kind, and signals a new way for families to handle the sales of their collections.

 

The East Hampton gallery will be open to the public with a limited capacity, from Tuesday to Sunday, 11am–6pm. Pace is taking all necessary precautions to ensure the safety of visitors, including measures to manage the number of visitors in the space at any given time. Hand sanitizer and Personal Protective Equipment will be provided for visitors as well.

Notes for Editors

About Acquavella Galleries
Acquavella Galleries is distinguished for its expertise in the fields of nineteenth-, twentieth-, and twenty-first-century art. The gallery, founded by Nicholas Acquavella in the early 1920s, has been a family-owned, family-run business for three generations. For more than ninety years, Acquavella Galleries has sold major paintings and sculpture to esteemed private collectors and museums worldwide. Through its exhibitions, it has gained a reputation for organizing both museum-quality loan and commercial shows, and represents a selective roster of contemporary artists. The gallery is located at 18 East 79th Street in New York City, occupying a five-story French neoclassical townhouse.

 

About Gagosian
Established in Los Angeles in 1980, Gagosian is a global gallery specializing in modern and contemporary art that employs over 200 people at eighteen exhibition spaces across the United States, Europe, and Asia. From its inception, Gagosian has prepared and presented unparalleled museum-quality exhibitions of works by historical artists, as well as working with a diverse array of marquee living artists. The gallery’s initiatives include innovative online viewing rooms coinciding with major art fairs, which feature transparent and comprehensive market analysis; a publishing arm that produces scholarly exhibition catalogues, artist monographs, catalogues raisonnés, and the Gagosian Quarterly magazine; as well as a distinctive retail shop. In 2018 Gagosian established its “Building a Legacy” program to assist artists, studio managers, and estate and foundation representatives, among others, with maintaining and steering artists’ creative and philanthropic futures.

 

About Pace
Pace is a leading contemporary art gallery representing many of the most significant international artists and estates of the twentieth and twenty-first centuries. Under the leadership of President and CEO Marc Glimcher, Pace is a vital force within the art world and plays a critical role in shaping the history, creation, and engagement with modern and contemporary art. Since its founding by Arne Glimcher in 1960, Pace has developed a distinguished legacy for vibrant and dedicated relationships with renowned artists. As the gallery approaches the start of its seventh decade, Pace’s mission continues to be inspired by a drive to support the world’s most influential and innovative artists and to share their visionary work with people around the world.

Pace advances this mission through its dynamic global program, comprising ambitious exhibitions, artist projects, public installations, institutional collaborations, performances, and interdisciplinary projects through Pace Live, and curatorial research and writing. Today, Pace has seven locations worldwide: two galleries in New York—including its newly opened headquarters at 540 West 25th Street, and an adjacent 8,000-square-foot exhibition space at 510 West 25th Street—as well as galleries in Palo Alto, London, Geneva, Hong Kong, and Seoul.

Press

 

Acquavella Galleries
John M. Melick
President, Blue Medium
john@bluemedium.com
+1 212 675 1800

 

Gagosian
Virginia Coleman
Director of Communications
virginia@gagosian.com
+1 917 750 2340

 

Sarah Duzyk
Director of Press Relations
sduzyk@gagosian.com
+1 859 585 6346

 

Pace Gallery
Amelia Redgrift
Senior Director, Global Communications & Content
aredgrift@pacegallery.com
+1 646 236 5241

 

Adriana Elgarresta
Director of Public Relations
aelgarresta@pacegallery.com
+1 305 498 1649

 

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